Hahaha. That's class.
Craig, I edited my list if you can remember and put Stripes in 11th place, so surely it must score more than 3pts??
Salty, did it make your list in the end??
Or was it you BigDaveCUFC that was considering it??
THEY BITE!!!Critters the second of mine to go out.
Fuckin love that film, remember my dad taking us to the Ritz video shop every Saturday in the early 90's and me picking that film every time.
Lolita Vibrator Torture (1987) - http://www.imdb.com/title/tt0291317/?ref_=fn_al_tt_1
Escape 2000 (1983) - http://www.imdb.com/title/tt0089104/?ref_=fn_al_tt_2
Videodrome (1983) - http://www.imdb.com/title/tt0086541/?ref_=nv_sr_1
Joint 76th - 7 points - 1 list
Heaven's Gate (1980) - http://www.imdb.com/title/tt0080855/?ref_=nv_sr_1
If it's any consolation Videodrome and Heavens Gate were 2 films that I gave consideration to. I had over 100 movies initially shortlisted, and cut 10 films at each juncture of me shortening my list. They both made the top 50, but fell somewhere between there and 40.LETS DO WRITE UPS
Mines:
Doing this confirmed my long held suspicion: the 80s is where the rot sets in as far as most of my favourite sorts of films go. Exhibit A being the once fecund mass produced genre cinemas of Italy, Japan etc being on their respective arses cos of the rise of TV and home video. One can still find flickers of flame amidst the wreckage though, particularly in Japan, where the industry held on a bit better/longer. This is one such example. I wont bore with a disquisition on the de/merits of Japanese sex cinema, so suffice to say this encapsulates a lot of what made the genre what it was: deep unpleasantry, surprisingly subversive gender politics, extreme originality and style to spare. There's a strong undercurrent of body horror (or sex toy horror, anyway) in this one too. Quite Cronenberg-y, Tsukamato-ish, the grotesque fetishism, an ear ache industrial soundtrack, urban dystopia. Of genre and auteur both.
Exhibit B for the case that the 80s were the worst decade yet: the dissipation of the white hot energy of the Nouvelle Vague and other national new waves. But most of the main players where still at it. Perhaps a stretch to put Pialat in that category (tho he hasn't had all the copies of Janine destroyed yet), since he was more of a miserablist lone-wolf, but this film has something of the same spirit. A character piece that functions as a thriller almost by accident. I'm not big on thespy thesps thesping but Depardieu is great in this too. Big bloody ox.
Exhibit A again. Italy reduced to churning out cheesy cheese made on ever decreasing budgets, in particular dreck patterned after Conan, Escape from NY, Mad Max and unlikely combinations of thereof. A few of them were great though, particularly 2 of the 3 made by Enzo Castellari (of original Inglorious Bastards fame). A great trashy goulash of all those 80s dystopia sf films. Henry Silva is fucking hilarious as the head baddy. Corporate led social cleansing of a big city too, not that there's anything prescient about that. High Line the Movie, basically.
Bit surprised no-one else voted for this. Not just a great film from the 80s but a great 80s film. Couldn't have been made much before or later. Home video, cable TV etc as a vector for the perverse, the seditious, the ruinous. As a parable it could've been pretty obvious, but it's pushed well beyond any sort of logical conclusion.
Exhibit C: The Western was on its arse too. Slim pickings for the entire decade. This is pretty ace though. Flawed certainly, and a poster child for directorial self-indulgence, but hell if the best bits don't make it worthwhile. "Epic", "lavish" etc is probably underselling it, and though there's a sepia toned romance to it it's also year zero for all the latter day oaters that underscore what a unpleasant time and place to live it was. The production was a fiasco, prompting arguably the most insane critical pile-on in cinema history, and the financial disaster that ensued more or less killed Cimino's career, but now that all the dust has settled it's clear that it's a major work.
Whose is Santa Sangre?
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