eightiesrobin
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You have to be old to recall this:
Found this today in a charity shop, £1.
Vanni - are these your bag? I actually saw this outfit in 1989, they were the absolute darlings of the NME at the time.
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Well done Steven but there is still a bit of refinement to go.
You probably need to consider whether you can position the speakers better without adding too much hassle.
https://thevinylfactory.com/features/speaker-placement/
You certainly need to find a better place to position the deck/record player. You need to get it away from the magnetic field from the amp and the vibrations from the speakers. It might sound OKish but could be so much better.
https://thevinylfactory.com/features/get-the-best-sound-from-your-record-player-guide/
Happy listening.
Stevencc Well done mate, nice little set up you got there. Looks like you didn't need any help in setting up the Audio Technica, though I'm assuming AT were helpful enough to supply an easy to grasp user manual?
Nice little Pioneer amp there, looks like one of the models from the A-xx series?? I'm guessing it has enough power to drive those Wharfedale speakers.
Right, we all know the importance of a good carbon fibre record brush. I would even go as far as say that owning over 10,000 vinyl records is worthless if you don't have a record brush (this is a dig at people like my old man, who does indeed have a couple of brushes but they're still as new as the day he bought them back in the early 80's, I think).
Now I've had multiple examples of CF brushes, and I thought they all looked more or less the same so I decided to order a couple from Hong Kong at only 3 quid each. I can confirm that they are exactly the same as the other much more expensive offerings from the likes of Pro-ject, Milty, AM, etc etc. All these brands do is to print their name over the brushes, or in the case of SRM Tech, just plaster a sticker over the side of the brush. I've used mine for some 10 weeks now and they haven't scratched my records or anything, although I was warned by some hobbyists that these Chinese 'knock offs' would. I've even gone as far as brushing a cheap mint record I don listen to for some three days a day for these 10 weeks and I'm not seeing any scratches or scuffing at all.
So if you're thinking of getting a branded one then don't, you'd only be wasting your money.
That's a very good album imo. I got that one on vinyl and cd, though I only got the cd much later on as it was in the 1.99 rack. The odd thing about this album is that the cd sounds way different than the vinyl album. I'm aware of different mixes being made specifically for vinyl and cd/digital (though I strongly suspect that presently most artists only do one mix for all formats) but to this day I have never come across an such a different sounding example like this particular Sundays album.
The one you've got is their debut and IMO the best work they ever did. I've got their second and third ones on cd only but they aren't as good as this one.
Hi Vanni, yes I think I did mean entry-level.
I'm not sure what the cartridge is now, it doesn't appear to have any identifying markings. The stylus just says "Shure", with no model number, annoyingly.
It is odd that the table came with an owners manual for the Garrard 130-1, which appears to be a better-known model.
The records were in fabulous shape, which makes me think the TT is probably working, but the cantilever is a worry - what else happened when that got bent?
I shall sleep on it, cheers for the help.
I had that album until recently (having a big clear out), probably best known for Here's where the story ends, but it didn't make my cull....still it opens a lot of room for a load more music.Found this today in a charity shop, £1.
Vanni - are these your bag? I actually saw this outfit in 1989, they were the absolute darlings of the NME at the time.
View attachment 9211
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