M
Martino Knockavelli
Guest
Mine:
My #1 (not that I'd set too much stock in that), and another favourite auteur who found his metier during the decade. The Elephant Man is probably the film that made him, but this is the first fully realised excursion to Lynch-land, the sort of film that gets your surname turned into an adjective. A nightmare salmagundi of Douglas Sirk and film noir, soap opera and surrealism. Blackly comic but brutal, ironic and sincere, macabre and schmaltzy, a work of disquieting originality that's also a legible synthesis a whole lot of Hollywood history, all chewed up and spat back out like perfumed bile. It's hard to write about, now, without resorting to cliches (tick em off: picket fence USA, oneiric, fever dream, dark underbelly, etc). Sadly its reputation in critical circles has taken a bit of a nosedive after Alty dismissed it as iredeemably pretentious guff, but I'll continue to fight the good fight.
My fave Ghibli. It occurred to me whilst writing about Where is the Friend's Home? that this and that one really quite similar: a simple little quest, relayed child's eye view, with delicacy and subtlety that's totally convincing and beguiling. Sweet (but not over sweet), cute, charming, lovely, heartfelt etc... all sorts of terms that sound like lukewarm praise, but really aren't, in this instance anyways...
My #1 (not that I'd set too much stock in that), and another favourite auteur who found his metier during the decade. The Elephant Man is probably the film that made him, but this is the first fully realised excursion to Lynch-land, the sort of film that gets your surname turned into an adjective. A nightmare salmagundi of Douglas Sirk and film noir, soap opera and surrealism. Blackly comic but brutal, ironic and sincere, macabre and schmaltzy, a work of disquieting originality that's also a legible synthesis a whole lot of Hollywood history, all chewed up and spat back out like perfumed bile. It's hard to write about, now, without resorting to cliches (tick em off: picket fence USA, oneiric, fever dream, dark underbelly, etc). Sadly its reputation in critical circles has taken a bit of a nosedive after Alty dismissed it as iredeemably pretentious guff, but I'll continue to fight the good fight.
35th - 38 points on 3 lists.
My Neighbour Totoro (1988) - http://www.imdb.com/title/tt0096283/?ref_=nv_sr_1
My fave Ghibli. It occurred to me whilst writing about Where is the Friend's Home? that this and that one really quite similar: a simple little quest, relayed child's eye view, with delicacy and subtlety that's totally convincing and beguiling. Sweet (but not over sweet), cute, charming, lovely, heartfelt etc... all sorts of terms that sound like lukewarm praise, but really aren't, in this instance anyways...